KINETIC ART

Kinetic art is art that contains moving parts or depends on motion for its effect. The moving parts are generally powered by wind, a motor or the observer. Kinetic art encompasses a wide variety of overlapping techniques and styles. The movement may be real or imagined. Movement may be mechanically powered (for example, by electricity, or air or water motion), or produced by the viewer moving past a work, or the work given the illusion of movement, such as op art, which appears to flicker. Kinetic art sometimes merges with other types of avant-garde art, including performance art, computer-generated art, mixed media, and Installation art. Leading kinetic artists include Alexander Calder, Bridget Riley, and Nam June Paik.

MINIMAL ART

Robert MORRIS

Minimal art was an artistic style, which emerged in America the late 1950s. The term was taken from an essay about modern American art by art philosopher Richard Wollheim in 1965. Hard Edge and Colour Field Painting tendencies were an important pre-requisite for the development of this style, as they had essentially prepared the ground for the use of very simple, reduced minimal forms. Minimal Art first established itself in painting, and then sculpture, where it had the greatest impact. Minimal art sculptures were primarily made from industrial materials, such as aluminium, steel, glass, concrete, wood, plastic or stone. The objects, frequently reduced to very simple geometric shapes, were industrially produced, thus removing the artist’s personal signature from the work. The works were also characterised by serial arrangements of a number of bodies/shapes, and large dimensions. The main representatives of Minimal art were Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, John McCracken and Robert Morris.In contrast with Abstract Expressionism and its impulsive and gestural expression of the unconsciousness, Minimal artists focused on material aesthetics, the relationship of objects to space, the effects of light, and producing highly reduced arrangements. Donald Judd (1928-94) followed these basic principles, arranging coloured aluminium boxes in different ways, above, or next to one another. Carl Andre (born 1935) stacked rectangular wooden pegs on top of each other, or in a row. Dan Flavin (1933-96) created subtle light spaces with evenly laid out neon tubes. Minimalism also had an impact on dance and music in the 1960s. Minimalist principles also influenced artistic phenomenon such as Land Art, Arte Povera and Conceptual Art

HARD-EDGE

Theo Van Doesburg

Hard-edge painting is painting in which abrupt transitions are found between color areas. Color areas are often of one unvarying color. The Hard-edge painting style is related to Geometric abstraction, PopArt, Post-painterly Abstraction, and Color Field painting. Other, earlier, movements, or styles have also contained the quality of hard-edgedness, for instance the Precisionists also displayed this quality to a great degree in their work. Hard-edge can be seen to be associated with one or more school of painting, but is also a generally descriptive term, for these qualities found in any painting. Hard-edged painting can be both figurative or nonrepresentational. This style of hard-edge geometric abstraction recalls the earlier work of Kasimir Malevich, Wassily Kandinsky, Theo van Doesburg, and Piet Mondrian. Other artists associated with Hard-edge painting include Herb Aach, Josef Albers, Richard Anuszkiewicz, Max Bill, Ilya Bolotowsky, Ralph Coburn, Nassos Daphnis, Ronald Davis, Gene Davis, Burgoyne Diller, Peter Halley, Al Held,Robert Indiana, Ellsworth Kelly, Günther C. Kirchberger, Alexander Liberman, Agnes Martin, Kenneth Noland, Georg Karl Pfahler, Ad Reinhardt, Bridget Riley, Ludwig Sander, Leon Polk Smith,Julian Stanczak, Frank Stella, Myron Stout, Leo Valledor, Victor Vasarely, Charmion von Wiegand, Neil Williams, Larry Zox and Barbro Östlihn.

POP ART

Mike HICKS

Pop Art was the art of popular culture. It was the visual art movement that characterised a sense of optimism during the post war consumer boom of the 1950's and 1960's. It coincided with the globalization of pop music and youth culture, personified by Elvis and the Beatles. Pop Art was brash, young and fun and hostile to the artistic establishment. It included different styles of painting and sculpture from various countries, but what they all had in common was an interest in mass-media, mass-production and mass-culture. Pop art was strongly influenced by the ideas of the Dada movement and in America it was a reaction against Abstract Expressionism.

POST-PAINTERLY ABSTRACTION

Frank STELLA

Post-painterly abstraction is a term created by art critic Clement Greenberg as the title for an exhibit he curated for the Los Angeles County Museum of Art in 1964, which subsequently travelled to the Walker Art Center and the Art Gallery of Toronto. Greenberg had perceived that there was a new movement in painting that derived from the abstract expressionism of the 1940s and 1950s but "favored openness or clarity" as opposed to the dense painterly surfaces of that painting style. The 31 artists in the exhibition included Walter Darby Bannard,Jack Bush, Gene Davis, Thomas Downing, Friedel Dzubas, Paul Feeley, Sam Francis, Helen Frankenthaler, Al Held, Ellsworth Kelly, Nicholas Krushenick, Alexander Liberman, Morris Louis, Arthur Fortescue McKay, Howard Mehring, Kenneth Noland, Jules Olitski, Ray Parker, David Simpson, Albert Stadler, Frank Stella, Mason Wells, Emerson Woelffer. Among the prior generation of contemporary artists, Barnett Newman has been singled out as one who anticipated "some of the characteristics of post-painterly abstraction." As painting continued to move in different directions, initially away from abstract expressionism, powered by the spirit of innovation of the time, the term "post-painterly abstraction", which had obtained some currency in the 1960s, was gradually supplanted by minimalism, hard-edge painting, lyrical abstraction, and color field painting.

ABSTRACT EXPRESSIONISM

Jackson POLLOCK

Abstract Expressionism is a type of art in which the artist expresses himself purely through the use of form and color. It non-representational, or non-objective, art, which means that there are no actual objects represented. Now considered to be the first American artistic movement of international importance, the term was originally used to describe the work of Willem de Kooning, Jackson Pollock and Arshile Gorky. The movement can be more or less divided into two groups: Action Painting, typified by artists such as Pollock, de Kooning, Franz Kline, and Philip Guston, stressed the physical action involved in painting; Color Field Painting, practiced by Mark Rothko and Kenneth Noland, among others, was primarily concerned with exploring the effects of pure color on a canvas.

SURREALISM

Salvador DALI 

Surrealism is a cultural movement and artistic style that was founded in 1924 by André Breton. Surrealism style uses visual imagery from the subconscious mind to create art without the intention of logical comprehensibility. The movement was begun primarily in Europe, centered in Paris, and attracted many of the members of the Dada community. Influenced by the psychoanalytical work of Freud and Jung, there are similarities between the Surrealist movement and the Symbolist movement of the late 19th century. Some of the greatest artists of the 20th century became involved in the Surrealist movement, and the group included Giorgio de Chirico, Man Ray, René Magritte, and many others. The Surrealist movement eventually spread across the globe, and has influenced artistic endeavors from painting and sculpture to pop music and film directing. The greatest known Surrealist artist is the world famous Salvador Dali.

Rene MAGRITTE

PITTURA METAFISICA

Giorgio de CHIRICO

Metaphysical art (Italian: Pittura metafisica), style of painting that flourished mainly between 1911 and 1920 in the works of the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began with Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality. De Chirico, his younger brother Alberto Savinio, and Carrà formally established the school and its principles in 1917. Giorgio de Chirico first developed the style that he later called Metaphysical Painting while in Milan. It was in the more sedate surroundings of Florence, however, that he subsequently developed his emphasis on strange, eerie spaces, based upon the Italian piazza. Many of de Chirico's works from his Florence period evoke a sense of dislocation between past and present, between the individual subject and the space he or she inhabits. These works soon drew the attention of other artists such as Carlo Carrà and Giorgio Morandi.

DADA

Dada was many things, but it was essentially an anti-war movement in Europe and New York from 1915 to 1923. It was an artistic revolt and protest against traditional beliefs of a pro-war society, and also fought against sexism/racism to a lesser degree. The word "dada" was picked at random out of a dictionary, and is actually the French word for "hobbyhorse". The European movement was started in 1915 in Zurich by sculptor Hans Arp, film-maker Hans Richter, and poet Tristan Tzara. Members of the group are Louis Aragon, Hans Arp, Johannes Baader, Hugo Ball...

SYNCHROMISM

Stanton MACDONALD

Synchromism was an art movement founded in 1912 by American artists Stanton MacDonald-Wright and Morgan Russell. Their abstract "synchromies", based on a theory of color that analogized it to music, were among the first abstract paintings in American art. Synchromism became the first American avant-garde art movement to receive international attention. Synchromism is based on the idea that color and sound are similar phenomena, and that the colors in a painting can be orchestrated in the same harmonious way that a composer arranges notes in a symphony. Macdonald-Wright and Russell believed that by painting in color scales, their work could evoke musical sensations. 

SECTION D'OR

Marcel DUCHAMP

The Section d'Or ("Golden Section" in French), also known as Groupe de Puteaux or Puteaux Group, was a collective of painters and critics associated with an offshoot of Cubism known asOrphism (a term coined by the French poet Guillaume Apollinaire). Based in the Paris suburb of Puteaux, they were active from 1912 to around 1914, coming to prominence in the wake of their controversial showing at the Salon des Indépendants in the spring of 1911.The group's title was suggested by Jacques Villon, after reading a 1910 translation of Leonardo da Vinci's Trattato della Pittura by Joséphin Péladan. Peladan attached great mystical significance to the golden section (French: Section d'Or), and other similar geometric configurations. For Villon, this symbolised his belief in order and the significance of mathematical proportions, because it reflected patterns and relationships occurring in nature. The notable members of group are Guillaume Apollinaire, Robert Delaunay, Marcel Duchamp, Henri Le Fauconnier, Albert Gleizes...

DER BLAUE REITER

Franz MARC

The Blue Rider (or in German Der Blaue Reiter) was a German Expressionist movement that was established in December 1911 by Kandinsky, Marc and Gabriele Münter.Painters Kandinsky and Marc worked on an almanac in which they showed their artistic conceptions. The title of the almanac, which then became the name of the group, Der Blaue Reiter (The Blue Rider), came from the painting by Kandinsky. His Blaue Reiter ( Blue Rider ) was an adventure in the simplification and stylization of forms and the connection between music and painting.The Blue Riders believed that colors, shapes and forms had equivalence with sounds and music, and sought to create color harmonies which would be purifying to the soul. Nietzsche's words sum up the group's motto, "Who wishes to be creative must first blast and destroy accepted values." The first exhibitions of The Blue Rider included works by Wassily Kandinsky, Franz Marc, Pablo Picasso, Paul Klee, Henri Rousseau, Robert Delaunay, and Arnold Schönberg. 

FUTURISM

Antonio SANTELIA(an example of futrist architecture)

Futurism was an artistic and social movement that originated in Italy in the early 20th century. It emphasized and glorified themes associated with contemporary concepts of the future, including speed, technology, youth and violence, and objects such as the car, the airplane and the industrial city. It was largely an Italian phenomenon, though there were parallel movements in Russia, England and elsewhere. The Futurists practiced in every medium of art, including painting, sculpture, ceramics, graphic design, industrial design,interior design, theatre, film, fashion, textiles, literature, music, architecture and even gastronomy. Key figures of the movement include the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Gino Severini, Giacomo Balla, Antonio Sant'Elia, Tullio Crali andLuigi Russolo, and the Russians Natalia Goncharova, Velimir Khlebnikov, and Vladimir Mayakovsky.

Umberto BOCCIONI

DIE BRÜCKE

Ernst Ludwig KIRCHNER 

Die Brücke (The Bridge) was a group of German expressionist artists formed in Dresden in 1905, after which the Brücke Museum in Berlin was named. The founding members of Die Brücke in 1905 were four Jugendstil architecture students: Fritz Bleyl (1880–1966), Erich Heckel (1883–1970), Ernst Ludwig Kirchner(1880–1938) and Karl Schmidt-Rottluff (1884–1976).Later members were Emil Nolde, Max Pechstein and Otto Mueller. The seminal group had a major impact on the evolution of modern art in the 20th century and the creation of expressionism. Die Brücke is sometimes compared to the Fauves. Both movements shared interests in primitivist art. Both shared an interest in the expressing of extreme emotion through high-keyed color that was very often non-naturalistic. Both movements employed a drawing technique that was crude, and both groups shared an antipathy tocomplete abstraction. The Die Brücke artists' emotionally agitated paintings of city streets and sexually charged events transpiring in country settings make their French counterparts, the Fauves, seem tame by comparison.

LES FAUVES

Henri MATISSE

Fauvism was a style of painting developed in France at the beginning of the 20th century by Henri Matisse and André Derain.At the start of the 20th century, two young artists, Henri Matisse and André Derain formed the basis of a group of painters who enjoyed painting pictures with outrageously bold colours. The group were nicknamed 'Les Fauves' which meant 'wild beasts' in French. The title 'Les Fauves' (the wild beasts) came from a sarcastic remark by the art critic Louis Vauxcelles. Les Fauves believed that colour should be used to express the artist's feelings about a subject, rather than simply to describe what it looks like. Fauvist paintings have two main characteristics: simplified drawing and exaggerated colour. Les Fauves were a great influence on the German Expressionists.

EXPRESSIONISM

Franz MARC

A term used to denote the use of distortion and exaggeration for emotional effect, which first surfaced in the art literature of the early twentieth century. When applied in a stylistic sense, with reference in particular to the use of intense colour, agitated brushstrokes, and disjointed space. Rather than a single style, it was a climate that affected not only the fine arts but also dance, cinema, literature and the theatre. Expressionism is an artistic style in which the artist attempts to depict not objective reality but rather the subjective emotions and responses that objects and events arouse in him. He accomplishes his aim through distortion, exaggeration, primitivism, and fantasy and through the vivid, jarring, violent, or dynamic application of formal elements. In a broader sense Expressionism is one of the main currents of art in the later 19th and the 20th centuries, and its qualities of highly subjective, personal, spontaneous self-expression are typical of a wide range of modern artists and art movements. The most well known German expressionists are Max Beckmann, Otto Dix, Lionel Feininger, George Grosz, Ernst Ludwig Kirchner, August Macke, Emil Nolde, Max Pechstein; the Austrian Oskar Kokoschka, the Czech Alfred Kubin and the Norvegian Edvard Munch are also related to this movement. 

LES NABİS

Pierre BONNARD

   Les Nabis were a Parisian group of Post-Impressionist artists and illustrators who became very influential in the field of graphic art. Their emphasis on design was shared by the parallel Art Nouveau movement. Both groups also had close ties to the Symbolists.
  The main representatives of Les Nabis were Pierre Bonnard, Maurice Denis, Ker Xavier Roussel, Felix Vallotton, and Edouard Vuillard.

Edouard VUILLARD

SYMBOLISM

Edvard MUNCH

   Symbolism originated in France, and was part of a 19th-century movement in which art became infused with mysticism. French Symbolism was both a continuation of the Romantic tradition and a reaction to the realistic approach of impressionism. It served as a catalyst in the outgrowth of the darker sides of Romanticism and toward abstraction.
   Symbolism is an important element of most religious arts and reading symbols plays a main role in psychoanalysis. Thus, the Symbolist painters used these symbols from mythology and dream imagery for a visual language of the soul.

Odilon REDON

   Symbolism was more an international ideological trend. Symbolists believed that art should cover more absolute truths which could only be accessed indirectly. Thus, they painted scenes from nature, human activities, and all other real world phenomena in a highly metaphorical and suggestive manner. 
   Odilon Redon, Paul Gaugin, Mikhail Alexandrovich Vrubel, Leon Bakst, James Ensor, Jean Delville,  Edvard Munch are some of the main symbolist artists.

NEO-IMPRESSIONISM

     Neo-Impressionism (a.k.a. Divisionism or Pointillism)( From 1884 until 1935 -the end of Signac's life)  is a movement and a style which is a subdivision of the larger avant-garde movement called Post-Impressionism.

     Neo-Impressionism organized the system of applying separate colors to the surface so that the eye mixed the colors rather than the artist on his or her palette. The theory of chromatic integration claims that these independent tiny touches of color can be mixed optically to reach better color quality.

     The Neo-Impressionist surface seems to vibrate with a glow that radiates from the tiny dots that are packed together to create a specific hue. The painted surfaces are especially luminescent. Unlike the impressionist pictures, these were painted in the studio.

George SEURAT

     The best known artists of this movement are Paul Signac, Georges Seurat, Camille Pisarro, Henry Edmond Cross, George Lemmen, Theo van Rysselberghe, Jan Toorop, Maximillen Luce, Albert Dubois-pillet.

Paul SIGNAC

IMPRESSIONISM

     A French 19th century art movement which marked an important break from tradition in European painting. The Impressionists integrated new scientific research into the physics of colour to achieve a more exact representation of colour and tone.
     The sudden change in the look of these paintings was brought about by a change in methodology: applying paint in small touches of pure colour rather than broader strokes, and painting out of doors to catch a particular fleeting impression of colour and light. The result was to stress the artist's perception of the subject matter as much as the subject itself.
     Impressionist art is a style in which the artist captures the image of an object as someone would see it if they just caught a glimpse of it. They paint the pictures with a lot of color and most of their pictures consist of outdoor scenes. In addition, their pictures are very bright and vibrant. The artists like to capture their images without detail but with bold colors. Some of the greatest impressionist artists were Edouard Manet, Camille Pissaro, Edgar Degas, Alfred Sisley, Claude Monet, Berthe Morisot and Pierre Auguste Renoir.

Claude MONET

Alfred SISLEY